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| **Websites**: | **Websites**: |
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| [[https://www.nodegree.de| Kerstin Ergenzinger]] & [[https://www.uni-weimar.de/en/art-and-design/structure/disciplines-staff/media-art-and-design/jun-prof-kerstin-ergenzinger/| Acoustic Ecologies & Sound Studies BUW Weimar]] \\ | [[https://www.nodegree.de| Kerstin Ergenzinger]] & [[https://www.uni-weimar.de/en/art-and-design/chairs/acoustic-ecologies-and-sound-studies/| Acoustic Ecologies & Sound Studies BUW Weimar]] \\ |
| [[https://www.Kaddari.net| Bnaya Halperin-Kaddari]] \\ | [[https://www.Kaddari.net| Bnaya Halperin-Kaddari]] \\ |
| [[https://archipelagoarchives.com| Kiran Kumar]] \\ | [[https://archipelagoarchives.com| Kiran Kumar]] \\ |
| ====== Common Grounds ====== | ====== Common Grounds ====== |
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| **Common Grounds** explores strategies for sonifying environmental data and listening to the ecologies of our shared planet. Sustained by profound artistic-scientific exchange this multidisciplinary research asks how a long-term collaboration between climate science and sonic arts practices can be translated into public experiences that communicate and offer embodied, sensorial connections to the fragile complexity of planetary systems. | **Common Grounds** explores strategies for per-sonifying environmental data and listening to the ecologies of our shared planet. Sustained by profound artistic-scientific exchange this multidisciplinary research asks how a long-term collaboration between climate science and sonic arts practices can be translated into public experiences that communicate and offer embodied, sensorial connections to the fragile complexity of planetary systems. |
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| Climatic changes occur on spatial and temporal scales much larger and slower than those we humans can sensorially perceive. Therefore even in the face of palpable damages to the earth's atmo-, hydro-, cryo-, geo- and biospheres, the climate crisis still remains for many but an inaccessible, looming threat. Drawing on detailed instrumental datasets starting 1998 from the fastest warming place on earth - the circumpolar region of the Arctic, the collective & collaborators develop sonic and choreographic instruments, custom software, listening and storytelling strategies and participatory somatic practices towards realising a constellation of outputs including by now a sonic environment **Twenty Springs** made of sounding sculptures and stories (more [[#About the installation Twenty Springs]]), **Instrumentalities for Common Grounds** a participatory performance in form of a concert-lecture (more [[#About the performance Instrumentalities]]) and **BayelvaMic** a permanent live listening station (more [[#About the listening station BayelvaMic]]). | Climatic changes occur on spatial and temporal scales much larger and slower than those we humans can sensorially perceive. Therefore even in the face of palpable damages to the earth's atmo-, hydro-, cryo-, geo- and biospheres, the climate crisis still remains for many but an inaccessible, looming threat. Drawing on detailed instrumental datasets starting 1998 from the fastest warming place on earth - the circumpolar region of the Arctic, the collective & collaborators develop sonic and choreographic instruments, custom software, listening and storytelling strategies and participatory somatic practices towards realising a constellation of outputs including by now a sonic environment **Twenty Springs** made of sounding sculptures and stories (more [[#About the installation Twenty Springs]]), **Instrumentalities for Common Grounds** a participatory performance in form of a concert-lecture (more [[#About the performance Instrumentalities]]) and **BayelvaMic** a permanent live listening station (more [[#About the listening station BayelvaMic]]). |